• 2024

    Exhibits

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    Legacy In Bloom

    Celebrating our cultural heritage through art inspired by our gardens.
    10.10.2024-01.28.2025

    Local artists submitted artwork inspired by our gardens, which grow plants related to African Diaspora foodways. This exhibit features work by Savannah Arts Academy teacher Napoleon Wilkerson nd his former student Brooks Davis II. Also showing pieces are Panhandle Slim, Isaac McCaslin, Jake Stephens, Thao Hong, and more!

    PANHANDLE SLIM ART SHOW AND SALE. Beach Institute logo. Painting by Panhandle Slim, of Jean-Michel Basquiat with the quote from Basquiat, "Art decorates Space. Music decorates Time.". 502 E Harris Street, Savannah, Ga 31401. September 7 - Octiber 4 2024.

    Panhandle Slim Art Show and Sale

    Art for Folk

    09.07.24 - 10.05.24

    The Beach Institute is thrilled to announce a special pop-up art exhibit and sale featuring Panhandle Slim's vibrant and thought-provoking work. The exhibit will be held in the Main Gallery and showcase a mix of new pieces and beloved favorites.

    The exhibit opens on September 7th at noon and will run through September 15th. A portion of the proceeds from this event will benefit the King-Tisdell Cottage Foundation and the African Diaspora Museology Institute (ADMI), supporting their ongoing efforts to preserve and celebrate African American history and culture.

    THE ART OF WILLIAM TOLLIVER. Beach Institute Logo

    The Art of William Tolliver

    Main Gallery

    04.01.24-07.25.24

     

    We are thrilled to announce the upcoming art exhibit showcasing stunning pieces from our esteemed permanent collection by none other than the legendary William Tolliver.

     

    For decades, William Tolliver's captivating compositions, vibrant colors, and profound narratives have mesmerized art enthusiasts.

     

    Now, you have the opportunity to experience his masterpieces up close and personal. 

    Main Gallery of The Beach Institute

    Cover of a book, reading "The Secret to Freedom. by Marcia Vaughan. illustrated by Larry Johnson."

    The Quilting code

    In Celebration of Black American History, The Beach Institute, presents a profound exhibit of Quilts linked to the Underground Railroad.

     

    Discover the Codes & Symbols that Enslaved People devised to navigate the challenges of Self-Emancipation during the Antebellum Era.

     

    Main Gallery of The Beach Institute

    THE BEACH INSTITUTE THE HURN MUSEUM OF CONTEMPORARY FOLK ART. THE GREATEST STORY EVER TOLD. A folk art painting depicting Jesus Christ. The Easter Pageant. King-Tisdell Cottage Foundation logo. Hurn Museum logo. Permanent Collection, Hurn Museum.

    The Greatest story ever told

     

    SPECIAL COMMEMORATIVE EXHIBITION OF RUDOLPH VALENTINO BOSTIC'S WORKS OF ART

    Explore the talents of Rudolph Valentino Bostic. This exhibit showcases the passionate, colorful, energetic and compelling artistry of this innovative native Savannahian. Bostic's paintings are located in the

    Penthouse Gallery of the Beach Institute.

    Donated by the Sotille Family & The Hurn Museum of Comtemporary Folk Art, Savannah, GA.

    Add te here.

    A painting depicting students boarding a schoolbus. A billboard reading "CAR WASH 50 cents. CIGARETTES". An adult mother watching the students board.

    The W.W. Law Art Collection

    Garden Level Art Galery of the Beach Institute and The King Tisdell Cottage Museum 2021

    Westley Wallace “W. W.” Law (1923-2002) was a prominent Civil Rights leader, local historian, historic preservationist, and community leader in Savannah, Georgia. After a forty-year career as a mail carrier for the U. S. Postal Service and twenty-six years as President of the Savannah Chapter of the NAACP, Law turned his focus and efforts to preserving Savannah’s African American community through its history, art, architectural and cultural landmarks

     

    Mr. W. W. Law established

    The Savannah-Yamacraw Branch of the Association for the Study of Afro-American Life and History (ASALH),

    The King-Tisdell Cottage Museum,

    Beach Institute African American Cultural Center,

    The Ralph Mark Gilbert Civil Rights Museum, and

    The Negro Heritage Trail Tour.

     

    Through the King-Tisdell Cottage and the Beach Institute, W. W. Law featured the work of emerging African American artists, as well as works featuring local Savannah scenes. His personal collection of original artwork and prints (including those featured here) reflects these efforts, as well as the personal friendships that came about from them.

    THE BLACK HERITAGE FESTIVAL AND THE BEACH INSTITUTE PRESENT: MY STORY, YOUR STORY, OUR STORIES. Artwork created by members of the National Alliance of Artists from Historically Black Colleges and Universities. February 2, 2020 - May 30, 2020. The Beach Institute. 502 E Harris Street, Savannah, GA 31401, Main Gallery. Savannah Government Logo. King-Tisdell Cottage Foundation Logo. Nation Alliance of Artists from Historically Black Colleges and Universities logo. Savannah State University Logo. beachinstitute.org 912-335-8868.

    Annual Savannah Black Heritage Festival Exhibition

    February 2021

    The National Alliance of Artists from Historically Black Colleges and Universities (NAAHBCU) is a flourishing arts organization by name and service. It is the second-largest, and perhaps the most active African American arts organization in the United States. The overwhelming number of artists within the organization are either working at or have taught or studied in art departments and programs at historically black colleges and universities in America.

     

    Visit us at the Beach Institute to enjoy their exhibit, curated by Dr. Peggy Blood from Savannah State University in partnership with The Black Heritage Festival.

    THE BEACH INSTITUTE. THE HURN MUSEUM OF CONTEMPORARY FOLK ART. ART WITH MEANING. Folk Art in the 21st Century. King-Tisdell Cottage Foundation Logo. Hurn Museum Logo. Permanent Collection.

    FOLK ART IN THE 21ST CENTURY

    FEATURING VARIOUS REGIONAL ARTISTS EXHIBITIONS THOUGHOUT THE CALENDAR YEAR

    Folk art in the twenty-first century continues to stay on message: art must be comprehensible and must convey meaning to the viewing public.

     

    The new century has introduced a second generation of folk artists who have lost their sense of isolation so prevalent among the now famous, former generation.

     

    These new young artists, immersed in an electronically connected world, are rendering more complex messages about everyday life,, religious beliefs and the increasing anxieties afflicting modern man.

     

    See for yourself!

     

    Second floor gallery

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